Today would have been the 85th birthday of my father Samuel Lawrence (Larry) Russell. He died two months short of his 65th, so this year is also the twentieth anniversary of his passing. Although as a transracial adoptee I have travelled on an outlying cultural path from that of my adoptive family, they are the original source of love in my life.
If my father was a little out of his era and his element in following what I did as a young musician—his natural musical heroes were Glenn Miller, Benny Goodman, Frank Sinatra and Buddy Holly—he always had time to listen to whatever seemingly strange, novice piece I was working on and the even stranger theory behind it. He would encourage me and then gently mention “making it accessible.”
I don’t know what he would have made of Birthday Music, one of a number of pieces I composed and dedicated to him in the year after his death. Created for my demo reel as a composer for dance, it’s an admittedly bizarre concoction incorporating just intonation tuning, drones, my quirky programming style and the strongest evidence of Steve Reich’s influence on my work. With all that in the mix, I still relied on good-old, I-VI-I-V-I blues structure in the bassline, and a snare-kick backbeat, albeit in 3/2 time.
For Larry, with love
Composed and recorded on a Korg M1 workstation, May 31, 1993
Music and composer’s notes copyright Bruce Russell 2013