Categories
Compositions Journal Memoir Piano Postclassical

I Am Somewhere

For most of my life, I have been someone who was for the most part visibly, identifiably mixed race black, but lacking any other evidence of my ethnicity — biological relatives, genealogy, language, cultural items or history — beyond an adoption file that listed me as “Negroid.” I had no roots.

I knew that my white heritage was English and Irish. Unlike black peers who have often been asked where they were really from and to protect their dignity might simply answer “here,” I didn’t even have somewhere to refer back to had I chosen to disclose. Beyond being racialized, I was/from nowhere.

This year, I made contact with a birth relative, learning more about my background in the process. At the same time, joining a personal genetics site revealed numerous possible points of origin in the Global South.

With this in mind, the title of the piece is a reference to the poem “I Am – Somebody” written in the 1950s by Reverend William H. Borders, Sr. and widely popularized by Jesse Jackson.

There is a procedural approach to harmony, with root-progression clusters moving in parallel, alternating diatonic, harmonic major and melodic minor scales. The music has nothing to do with the subject per se, but seems to fit with it terms of weight, density and tone. It is a reflection of my frame of mind during developments at this point in time.

Composed August 2013, recorded October
Roland digital piano direct to file

Music and composer’s notes copyright Bruce Russell 2013

By elmahboob

Bruce A. Russell aka Ibrahim El Mahboob (b. Kingston, ON, 1968) is a composer and self-taught pianist living and working in Toronto (Tkarón:to, the traditional territory of many nations including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat). He studied at York University with James Tenney and Phillip Werren. He has composed music for the Madawaska String Quartet, Modern Times Stage Company, McMaster Dancers and choreographers Pam Johnson and Tracy Renee Stafford. Interest in his work increased in 2020, with performances by Arraymusic, Prism Percussion, Second Note Duo, San Juan Symphony and Idaho Falls Symphony. He was host of Radio Music Gallery, and has written for Musicworks and I Care if You Listen. His interests are in 20th and 21st century concert music especially postminimalism, and music of the African diaspora including notated and non-notated forms. He is a parent of three and is employed in the financial sector.

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