1994+25: Exoplanet

“Exoplanet” (1994) was commissioned by choreographer Dave Wilson for the student dance ensemble at McMaster University. Musically, it is a kind of postlude to the score for the dance suite “Land of the Living,” which I composed for a festival performance in Lyon several weeks before. I had intended to release both scores as part of a sci-fi instrumental concept album, After, but set the idea aside to work on what would become the album Uhuru.

The track is built on two alternating chords, the tonic and the supertonic, heard at first in the bassline and later in minimalist patterns of stacked fifths.

Rhythms were played manually, with light adjusting of individual MIDI events afterwards. This method of editing — as opposed to running the quantize function which I was not interested in doing — would often involve a discouraging number of clattering button clicks on the 01/W. Thus the light adjusting. It was my way of trying to avoid a fully programmed sound.

“Exoplanet” was a quick sketch for an industrial-themed dance (title unknown) which I didn’t see. I seem to recall it was performed in Boston alongside the suite; thus the complete After album concept enjoyed a single public outing.

Composed and recorded February 1994, Korg 01/WFD

Music and composer’s notes copyright Bruce Russell 2019

1993+25: The Turret

The Turret (1993) was commissioned by choreographer Dave Wilson for a dance solo performed by Viv Moore. It uses a non-equal temperament tuning. It was quickly sketched and left in raw form; however, I had been developing my palette and techniques on the M1 for several years by this point. I titled it for the recessed area where I would compose in the apartment I lived in at the time. 

Composed and recorded February 1993, Korg M1

Photo: Ancient Theatre of Fourvière, Lyon

Music and composer’s notes copyright Bruce A. Russell 2018

Best of 2015

Some great new discoveries and otherwise the usual company in abundance.

John Adams Absolute Jest · Grand Pianola Music San Francisco Symphony · Michael Tilson Thomas · John Adams (SFS Media)

Bang on a Can All Stars Field Recordings (Cantaloupe)

eighth blackbird Filament (Cedille)

Mahan Esfahani Time Present and Time Past (Archiv)

Morton Feldman · Erik Satie · John Cage Rothko Chapel [Gnossiennes, In a Landscape, etc.] Kim Kashkashian · Sarah Rothenberg · Steven Schick · Houston Chamber Choir · Robert Simpson (ECM)

Floating Points Elaenia (Luaka Bop/Pluto)

Kendrick Lamar To Pimp a Butterfly (Top Dawg · Aftermath · Interscope)

Steve Martland Band Martland (NMC)

Steve Reich Music for 18 Musicians Ensemble Signal · Third Coast Percussion · Brad Lubman (Harmonia Mundi)

Max Richter Sleep (Deutsche Grammophon)

Linda Catlin Smith Thought and Desire Eve Egoyan (Earwitness Editions)

Stephen Sondheim Liaisons: Re-Imagining Sondheim from the Piano Anthony de Mare (ECM)

Ann Southam Glass Houses for Marimba Taktus (Centrediscs)

Tennyson Like What EP (self-released)

Kamasi Washington The Epic (Brainfeeder)

John Williams Star Wars: The Force Awakens Gustavo Dudamel · William Ross · John Williams (Walt Disney)

reissues · remasters

Bernard Herrmann Obsession Special Archival Edition (Music Box)

The Spinners Spinners (BBR)

John Williams A.I. Artificial Intelligence Expanded Archival Collection (La-La Land)

John Williams Jaws and Jaws 2 (Intrada)

John Williams, Herman Stein, Hans J. Salter, Joseph Mullendore, Alexander Courage, Cyril J. Mockridge, Gerald Fried, Leith Stevens, Robert Drasnin, Fred Steiner and others Lost in Space 50th Anniversary Soundtrack Collection (La-La Land)