Category: Composers

Best of 2018

Brandon Coleman Resistance

Tigran Hamasyan For Gyumri

Zaki Ibrahim The Secret Life of Planets

The Internet Hive Mind

JACK Quartet Everything That Rises (John Luther Adams)

Kuniko Drumming (Steve Reich)

Kukuruz Quartet Julius Eastman Piano Interpretations

Kendrick Lamar/Various Artists Black Panther: The Album

Kelly Moran Ultraviolet

Georgia Anne Muldrow Overload

Steve Reich/International Contemporary Ensemble/Colin Currie Group Pulse/Quartet

Esperanza Spalding 12 Little Spells

Kali Uchis Isolation

Kamasi Washington Heaven and Earth

Tierra Whack Whack World

Aretha Franklin The Atlantic Singles Collection 1967-1970

Best of 2017

Alarm Will Sound with Meet the Composer Splitting Adams (Cantaloupe)

Sarah Cahill with Regina Myers and Samuel Adams Eighty Trips Around the Sun: Music by and for Terry Riley (Irritable Hedgehog)

Ars Nova Copenhagen First Drop (Cantaloupe)

Julius Eastman The Zürich Concert (New World)

ÌFÉ IIII+IIII (Discos Ifá)

Kelly Moran Bloodroot (Telegraph Harp)

Sampha Process (Young Turks)

Tyshawn Sorey Verisimilitude (Pi)

Moses Sumney Aromanticism (Jagjaguwar)

SZA Ctrl (Top Dawg/RCA)

Thundercat Drunk (Brainfeeder)

John Williams Close Encounters of the Third Kind · 40th Anniversary Remastered Edition (La-La Land)

Music by Linda Catlin Smith, Martin Arnold, Isaiah Ceccarelli, Chiyoko Szlavnics, Marc Sabat Canadian Composer Series (Another Timbre)

Various Artists Spiritual Jazz 7: Islam (Jazzman)

Glass Reich 80 12 18

Audio counterpoint in recognition of two 80th birthday years.

How would the photograph below sound, if the composers were substituted with their music?

Glass Reich 80 12 18

Steve Reich and Musicians: Music for 18 Musicians (1974-1976), Sections VIII, II, IIIA, IIIB, X

simultaneously with

The Philip Glass Ensemble: Music in Twelve Parts (1971-1974), Part 1

All of the music heard here is in the key of F-sharp natural minor. By placing them in a chance situation, I’ve introduced an irrational element to two compositions which are each rigorously ordered, and yet the eddying combination of their shared pitches has an eerie, reinforcing, unifying effect. While Twelve is set at a slightly lower output level than 18 relative to the original Nonesuch recordings, there is no other mixing. All tracks are complete, at original pitch and otherwise unaltered.

I do not own the copyright of the works presented here. I am claiming fair use.

Photo credit: The Wall Street Journal

Best of 2016

Childish Gambino “Awaken, My Love!” (Glassnote)

Vicky Chow A O R T A (New Amsterdam)

King We Are King (King Creative)

Laura Mvula The Dreaming Room (Sony · RCA)

Holly Roadfeldt The Preludes Project (Ravello)

Solange A Seat at the Table (Saint · Columbia)

Esperanza Spalding Emily’s D+Evolution (Concord)

reissues · remasters · restorations · box sets

Wally Badarou Back to Scales To-Night (Barclay · Expansion)

The Emotions Blessed: The Emotions Anthology 1969-1985 (BBR)

Philip Glass The Complete Sony Recordings (Sony)

Bernard Herrmann Twisted Nerve (Stylotone)

John Williams Jurassic Park · The Lost World: Jurassic Park (La-La Land)

Various Artists Doing It in Lagos: Boogie, Pop & Disco in 1980s Nigeria (Soundway)

Various Artists Star Trek: 50th Anniversary Collection (La-La Land)

23, for piano

23 (2016) was composed as an homage to Steve Reich and is dedicated to him on the occasion of his 80th birthday. All of the material in this piano miniature derives from melodic patterns and sonorities in his music. (This is true to a lesser degree about some of my earlier pieces as I have pointed out elsewhere.) The starting point for this process was measure 23 from Piano Phase (1967) and Reich’s favoured key signature of D major/B minor. There are several other works and Reichian tonal centres referenced, sometimes in quick or overlapping succession.


I avoided transforming melodic or harmonic entities beyond recognition, emphasizing spontaneous musical flow over structured collage. Fans of the elder composer may enjoy listening for references however subtle they may appear. Others may note that 23 sounds similar to my other piano pieces, which reflects the great influence Reich has had on my work. A tribute seems only fitting.

Happy 80th, Steve!

Composed September 2016
Recorded live with no edits October 2016, Roland digital piano direct

Photo: Carolyn Cole

Music and composer’s notes copyright Bruce A. Russell 2016