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Composers Electronic I Care If You Listen Media Music Journalism Performers Postclassical Toronto

An Evening with Barrière and Saariaho

My review for I Care If You Listen.

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Chamber Choral Composers Electronic Jazz Orchestral Performers Piano Pop Postclassical R&B

Best of 2014

John Adams, The Gospel According to the Other Mary – Los Angeles Philharmonic, LA Master Chorale, Gustavo Dudamel

John Luther Adams, Become Ocean – Seattle Symphony, Ludovic Morlot

D’Angelo and The Vanguard, Black Messiah

Morton Feldman, String Quartet No. 1 – FLUX Quartet

Flying Lotus, You’re Dead!

Philip Glass, The Complete Piano Etudes – Maki Namekawa

Meredith Monk, Piano Songs – Ursula Oppens, Bruce Brubaker

Laura Mvula, With Metropole Orkest Conducted by Jules Buckley at Abbey Road Studios

Steve Reich, Radio Rewrite – Jonny Greenwood, Vicky Chow, Alarm Will Sound, Alan Pierson

Ann Southam, Glass Houses Vol. 2 – Christina Petrowska Quilico

tuku, moonday sessions:the black

reissues

Herbie Hancock, The Complete Columbia Album Collection 1972-1988 (rel. late 2013)

Odyssey, Happy Together (Expanded Edition)

Sly Stone & various artists, I’m Just Like You: Sly’s Stone Flower 1969-1970

Categories
Composers I Care If You Listen Media Music Journalism Percussion Performers Piano Postclassical

Radio Rewrite Is ‘Everything’ and Then Some

An excerpt of my review of the Nonesuch album for I Care If You Listen; full version available with a subscription.

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Composers I Care If You Listen Media Music Journalism Performers Postclassical

I Care If You Listen – FLUX Quartet Records Feldman’s String Quartet No. 1

Here’s my review of FLUX Quartet’s recording of Morton Feldman’s String Quartet No. 1, Structures and Three Pieces, over at I Care If You Listen.

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Composers I Care If You Listen Media Music Journalism Performers Piano Postclassical

I Care If You Listen – Hamelin performs Feldman

I’m delighted to share my debut piece for the excellent contemporary classical magazine I Care If You Listen.

It’s a review of Marc-André Hamelin’s performance of Morton Feldman’s For Bunita Marcus at the 21C Music Festival in May. Have a look and let me know what you think!

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Funk Jazz Performers Piano Pop Postclassical R&B

Get It up for Love, Five Pianos Re:cover

This is based on Táta Vega’s 1978 cover of the song by Ned Doheny, played downtempo. It is for multiple pianos and combines elements of contemporary classical, jazz and popular dance music. The track could serve as a demo for a live performance, or for a studio recording with acoustic pianos.

The first two pianos, the bassline and main chordal part, were recorded in an evening as a last minute favour for a producer friend. An additional three pianos – lead/solo, second bass/chord and repeating patterns – were added over the next several evenings. A notated version would condense the music to four pianos (score pending).

The piece is faithful to the original material, with a layer of variations added later on, especially in the long outro section. The spirit is one of fun and admiration for the artist and repertoire.

Recorded March 27-31, 2014
Roland digital piano direct to GarageBand, no effects
All playing is live; no programming, looping or quantization

Original recording on Motown arranged by Al Johnson, produced by Winston Monseque, co-produced by André Fischer

Music copyright Warner Music Group and Longdog Music (ASCAP)

This arrangement and notes copyright Bruce A. Russell 2014

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Anniversary Composers Electronic Funk Lists Performers Pop Postclassical R&B Soundtrack

Best of 2013

Eve Egoyan – 5

Philip Glass – Visitors

Kuniko Kato – Cantus

R. Andrew Lee – November

Laura Mvula – Sing to the Moon

Omar – The Man

Quadron – Avalanche

Thundercat – Apocalypse

Hans Zimmer – Man of Steel

Best archive/reissue:

Sly and the Family Stone – Higher!

Categories
Composers Electronic Funk Jazz Lists Performers Pop Postclassical R&B

Best of 2011/2012

The past 24 months have been full of wonderful blessings and have witnessed the happiest period of my life so far. Alhamdulillah, for all that has been given.

It thus seems fitting to me, in doing a best of list, to look at the last two years as a whole. Here’s what has brought (re)new(ed)ness to the personal soundtrack, in no particular order (other than stream of consciousness)…

Returnings: Music of Ann Southam – Eve Egoyan, piano (Centrediscs, 2011)

Glass Houses Revisited – music of Ann Southam; Christina Petrowska Quilico, piano (Centrediscs, 2011)

Soundings for a New Piano – music of Ann Southam; R. Andrew Lee, piano (Irritable Hedgehog, 2011)

Jürg Frey: Piano Music – R. Andrew Lee, piano (Irritable Hedgehog, 2012)

The Northern Shore – music of Barbara Monk Feldman; Sabat/Clarke and Aki Takahashi (Mode, 2012)

Undercurrents: CONTACT Performs the Music of Jordan Nobles – CONTACT Contemporary Music (Redshift, 2011)

Until the Quiet Comes – Flying Lotus (Warp, 2012)

Seeds – Georgia Anne Muldrow (Someothaship CONNECT, 2012)

Radio Music Society – Esperanza Spalding (Heads Up International, 2012)

Black Radio – Robert Glasper Experiment (Blue Note, 2012)

Brand New Wayo: Funk, Fast Times & Nigerian Boogie Madness 1979-1983 – Various Artists (Comb & Razor, 2011)

Music of Vladimir Martynov – Kronos Quartet (Nonesuch, 2012)

WTC 9/11, Mallet Quartet, Dance Patterns – music of Steve Reich; Kronos Quartet, Sō Percussion, Steve Reich & Musicians (Nonesuch, 2011)

Symphony No. 9 – music of Philip Glass; Bruckner Orchester Linz, Dennis Russell Davies, conductor (Orange Mountain, 2012)

Seeing is Believing – music of Nico Muhly, William Byrd and Orlando Gibbons; Thomas Gould, violin; Aurora Orchestra, Nicholas Collon, conductor (Decca, 2011)

Adam’s Lament – music of Arvo Pärt; Latvian Radio Choir, Vox Clamantis, Sinfonietta Riga, Tõnu Kaljuste, conductor (ECM, 2012)

Threnody for the Victims of Hiroshima / Popcorn Superhet Receiver / Polymorphia / 48 Responses to Polymorphia – music of Krzysztof Penderecki and Jonny Greenwood; AUKSO Orchestra, Krzysztof Penderecki and Marek Moś, conductors (Nonesuch, 2012)

Son of Chamber Symphony / String Quartet – music of John Adams; International Contemporary Ensemble, John Adams, conductor and St. Lawrence String Quartet (Nonesuch, 2011)

January edits:

Recomposed by Max Richter: Vivaldi, The Four Seasons – Daniel Hope, violin; Konzerthaus Kammerorchester Berlin, André de Ridder, conductor (Deutsche Grammophon, 2012)

Pour une âme souveraine – a Dedication to Nina Simone – Meshell Ndegeocello (naïve, 2012)

Pink – Four Tet (Text, 2012)

Happy New Year to all the readers and followers of El Mahboob, and all my best to you for 2013.