This is based on Táta Vega’s 1978 cover of the song by Ned Doheny, played downtempo. It is for multiple pianos and combines elements of contemporary classical, jazz and popular dance music. The track could serve as a demo for a live performance, or for a studio recording with acoustic pianos.
The first two pianos, the bassline and main chordal part, were recorded in an evening as a last minute favour for a producer friend. An additional three pianos – lead/solo, second bass/chord and repeating patterns – were added over the next several evenings. A notated version would condense the music to four pianos (score pending).
The piece is faithful to the original material, with a layer of variations added later on, especially in the long outro section. The spirit is one of fun and admiration for the artist and repertoire.
Recorded March 27-31, 2014
Roland digital piano direct to GarageBand, no effects
All playing is live; no programming, looping or quantization
Original recording on Motown arranged by Al Johnson, produced by Winston Monseque, co-produced by André Fischer
Music copyright Warner Music Group and Longdog Music (ASCAP)
This arrangement and notes copyright Bruce A. Russell 2014
Eve Egoyan – 5
Philip Glass – Visitors
Kuniko Kato – Cantus
R. Andrew Lee – November
Laura Mvula – Sing to the Moon
Omar – The Man
Quadron – Avalanche
Thundercat – Apocalypse
Hans Zimmer – Man of Steel
Sly and the Family Stone – Higher!
The past 24 months have been full of wonderful blessings and have witnessed the happiest period of my life so far. Alhamdulillah, for all that has been given.
It thus seems fitting to me, in doing a best of list, to look at the last two years as a whole. Here’s what has brought (re)new(ed)ness to the personal soundtrack, in no particular order (other than stream of consciousness)…
Returnings: Music of Ann Southam – Eve Egoyan, piano (Centrediscs, 2011)
Soundings for a New Piano – music of Ann Southam; R. Andrew Lee, piano (Irritable Hedgehog, 2011)
Jürg Frey: Piano Music – R. Andrew Lee, piano (Irritable Hedgehog, 2012)
The Northern Shore – music of Barbara Monk Feldman; Sabat/Clarke and Aki Takahashi (Mode, 2012)
Undercurrents: CONTACT Performs the Music of Jordan Nobles – CONTACT Contemporary Music (Redshift, 2011)
Until the Quiet Comes – Flying Lotus (Warp, 2012)
Seeds – Georgia Anne Muldrow (Someothaship CONNECT, 2012)
Radio Music Society – Esperanza Spalding (Heads Up International, 2012)
Black Radio – Robert Glasper Experiment (Blue Note, 2012)
Brand New Wayo: Funk, Fast Times & Nigerian Boogie Madness 1979-1983 – Various Artists (Comb & Razor, 2011)
Music of Vladimir Martynov – Kronos Quartet (Nonesuch, 2012)
WTC 9/11, Mallet Quartet, Dance Patterns – music of Steve Reich; Kronos Quartet, Sō Percussion, Steve Reich & Musicians (Nonesuch, 2011)
Symphony No. 9 – music of Philip Glass; Bruckner Orchester Linz, Dennis Russell Davies, conductor (Orange Mountain, 2012)
Seeing is Believing – music of Nico Muhly, William Byrd and Orlando Gibbons; Thomas Gould, violin; Aurora Orchestra, Nicholas Collon, conductor (Decca, 2011)
Adam’s Lament – music of Arvo Pärt; Latvian Radio Choir, Vox Clamantis, Sinfonietta Riga, Tõnu Kaljuste, conductor (ECM, 2012)
Threnody for the Victims of Hiroshima / Popcorn Superhet Receiver / Polymorphia / 48 Responses to Polymorphia – music of Krzysztof Penderecki and Jonny Greenwood; AUKSO Orchestra, Krzysztof Penderecki and Marek Moś, conductors (Nonesuch, 2012)
Son of Chamber Symphony / String Quartet – music of John Adams; International Contemporary Ensemble, John Adams, conductor and St. Lawrence String Quartet (Nonesuch, 2011)
Recomposed by Max Richter: Vivaldi, The Four Seasons – Daniel Hope, violin; Konzerthaus Kammerorchester Berlin, André de Ridder, conductor (Deutsche Grammophon, 2012)
Pour une âme souveraine – a Dedication to Nina Simone – Meshell Ndegeocello (naïve, 2012)
Pink – Four Tet (Text, 2012)
Happy New Year to all the readers and followers of El Mahboob, and all my best to you for 2013.