1997+25 urfunk etude

urfunk etude (1997) is for solo piano with or without electronics. In terms of the sequences of minimalist canonic material and the parallel alignments of pitch, rhythmic structure and register, it is a precursor to my string quartet Madra (1999) and other works. It also builds upon a particular piano technique that worked around my limitations as… Continue reading 1997+25 urfunk etude

1992+30 Prepared Piano Piece No. 2

Prepared Piano Piece No. 2 (1992) is an unscored, improvised work combining live performance and experimental tape technique. It was created and recorded the day after Vermilion. Both pieces are part of a set of short works for prepared piano(s) which, as it would turn out, were created three weeks before the death of John… Continue reading 1992+30 Prepared Piano Piece No. 2

1992+30 Vermilion

Vermilion (1992) was originally a song for two voices, two prepared pianos and household-object percussion, part of a set titled “Four Home Dubs” from my early 4-track cassette efforts. This instrumental presents the two prepared pianos on their own, digitized from the original master cassette 20 years later. The recording was made during a stay… Continue reading 1992+30 Vermilion

World Premiere: in the sea of being

On Thursday, June 23, Thin Edge New Music Collective will give the world premiere of my sextet in the sea of being as part of the inaugural edition of Reverb, at 918 Bathurst Centre for Culture, Arts, Media and Education, in Toronto. I’m thrilled to have this opportunity to work with TENMC, whom I’ve long… Continue reading World Premiere: in the sea of being

World Premiere: Dream of a Blue Elf

On Saturday, February 19, 2022, pianist Stephen Clarke of the Array Ensemble will present the world premiere of my solo piano work Dream of a Blue Elf (2007), as part of the prerecorded and livestreamed program “Premieres.” Event details and a link to purchase a ticket (CAD$25 or pay what you want) can be found… Continue reading World Premiere: Dream of a Blue Elf

Companion

Companion (2019) was composed through late 2018 and early 2019, while the first pencil sketches date to 2011. It is dedicated to my two youngest children. All of the material derives from seven-note rows: orderings of the pitches of the diatonic scale. The harmony resembles traditional tonality heard through a pandiatonic filter. There are four… Continue reading Companion

we have lived before at Ottawa Chamberfest

Fresh from giving the world premiere of we have lived before at Toronto Summer Music, Gryphon Trio performs my new work twice at Ottawa Chamberfest, on Wednesday, July 28 (7 pm, virtual only, in-person sold out) and Thursday July 29 (2 pm, limited in-person still available). I’ll be there to introduce the piece and tell… Continue reading we have lived before at Ottawa Chamberfest