For Ash (2019-21) is a short, three-movement work for solo piano dedicated to my friend, Ash Mistry. In contrast to some of my earlier piano music, there is greater focus on melodic design and variations in harmonic voicing and less on structural symmetry, balancing lyrical and systematic aspects.
Each of the three movements explores a melodic line in two parallel voices, mostly in intervals of a third in the first movement and fourths in the other two. In the third movement—”78″—a three-note pattern rotates through pairs of notes then is layered upon itself, expanding as the harmony develops.
The movement titles reference years in the late 1970s, evoking nostalgia for my childhood and the popular emergence of minimalism and electronic dance music. The opening chords of the first movement—the fourth, fifth and sixth degrees in the key of G-flat major, which recur in this movement—are also callback to the era.
The music of For Ash and its main idea of two parallel voices was later used as the basis for “dyad,” the first movement of my piano trio we have lived before (2021). The material is explored differently in each instance.
Composed March 2021, recorded March 2025, Roland digital piano
Photo: 5:48 a.m., June solstice, 2021, Toronto
Music and composer’s notes copyright Bruce A. Russell 2025
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