Prepared Piano Piece No. 2 (1992) is an unscored, improvised work combining live performance and experimental tape technique. It was created and recorded the day after Vermilion. Both pieces are part of a set of short works for prepared piano(s) which, as it would turn out, were created three weeks before the death of John… Continue reading 1992+30: Prepared Piano Piece No. 2
Category: Archive
1992+30: Vermilion
Vermilion (1992) was originally a song for two voices, two prepared pianos and household-object percussion, part of a set titled “Four Home Dubs” from my early 4-track cassette efforts. This instrumental presents the two prepared pianos on their own, digitized from the original master cassette 20 years later. The recording was made during a stay… Continue reading 1992+30: Vermilion
Chaos
“Chaos, Part II” was recorded through the condenser mic on a boom box in my family’s living room, thus the wildly uneven volume of the opening. It’s a barely finished sketch meant to be part of a suite on an impromptu, DIY, “pause-record” cassette album; by default, juvenilia. This was my musical childhood. I was already 18, but… Continue reading Chaos
2001+21: vale
vale (for three alto kalimbas, 2001) is a very simple piece. It consists of a melodic pattern which is built up in three-part harmony, followed by a mirror image of this process to create an arch form. It reaches its peak in a square 64 measures, inhabiting an intuitive, casual music space. It was composed… Continue reading 2001+21: vale
1991+30: Indigo Pool
“Indigo Pool” is the first song from my 1991 DIY cassette album ōo, in my lo-fi, high-concept early period. The song was composed as it was recorded, layer by layer, beginning with the rhythmic pattern in 11/8 played on two empty plastic water cooler bottles anchored by an abandoned ride cymbal I found in the… Continue reading 1991+30: Indigo Pool
Interview with James Tenney
Recorded at The Music Gallery, 179 Richmond Street West, TorontoMay 3, 2000 Paul Hodge, audio engineer This interview was the result of my wish to have a final conversation with Tenney before he and his family left Toronto for California, where he was to resume teaching at the California Institute of the Arts (CalArts) after… Continue reading Interview with James Tenney
Sequences
Sequences (2000, rev. 2020) is scored for percussion and two marimbas. The title refers to sequences both in the sense of a musical phrase that repeats with a variation in pitch each time (in this case, with a variation in rhythm as well), and in the sense of an arrangement programmed electronically using a sequencer… Continue reading Sequences
95/25: Uhuru
Uhuru is a self-released album which was completed during the winter of 1995 and released in the fall. I had originally hoped to release it on CD but was unable to secure sufficient funds, so it arrived in a run of 100 cassettes. The program was over 70 minutes long, comprising mainly songs and instrumentals… Continue reading 95/25: Uhuru
90/30: Eccentricities
Eccentricities is a six-song, self-released cassette EP which emerged in the fall of 1990. I recall having 100 copies made and being satisfied with that level of dispersion; it was all I could afford in any case. In honour of the 30th anniversary, I present two of the songs here (with a third linked below).… Continue reading 90/30: Eccentricities
aix
aix (“waters”), for two pianos, is a short study in rising and falling patterns, with alternating chordal and canonic textures. The primary melodic shape, an ascending seventh followed by a descending second, is heard in several of my piano pieces of this period. Composed and recorded 2004, Korg 01/WFDRestored from playback on the original device,… Continue reading aix
EL MAHBOOB 