Zero-G (for Ann-Marie) is a lo-fi soundscape created with 12-bit samples on a Roland S-50. It consists of four elements: a percussive layer using found metal objects, drones made with penny whistle and clarinet, a kalimba, and a vinyl recording of an iconic tuned percussion work. As a meditation on weightlessness, timelessness and harmonic stasis, it relates to experimental electronics, minimalism, ambient music, and remix culture.
The production comprises two live ad libs, recorded six years apart. The first was recorded straight to quarter-inch analog tape in January 1990, without the kalimba. Kalimba samples were played in a single take while transferring the original tape to DAT in April 1996, using melodic patterns made to fit the tuning and tempo of the piece.
There is no programming or sequencing; all loops are sustained with key holds.
Recorded in Studio 202B, McLaughlin College, York University (1990 & 1996)
Image: December 1994
Music and composer’s notes copyright Bruce A. Russell 2026
EL MAHBOOB 
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