Recorded at The Music Gallery, 179 Richmond Street West, TorontoMay 3, 2000 Paul Hodge, audio engineer This interview was the result of my wish to have a final conversation with Tenney before he and his family left Toronto for California, where he was to resume teaching at the California Institute of the Arts (CalArts) after… Continue reading Interview with James Tenney
Category: Experimental
95/25: Uhuru
Uhuru is a self-released album which was completed during the winter of 1995 and released in the fall. I had originally hoped to release it on CD but was unable to secure sufficient funds, so it arrived in a run of 100 cassettes. The program was over 70 minutes long, comprising mainly songs and instrumentals… Continue reading 95/25: Uhuru
5 Questions to Anaïs Maviel
My interview for I Care If You Listen.
Best of 2019
Layale Chaker & Sarafand Inner Rhyme Flying Lotus Flamagra Shafiq Husayn The Loop Kaytranada Bubba Anne-Sophie Mutter / John Williams Across the Stars Anderson .Paak Ventura Caroline Shaw / Attacca Quartet Orange Solange When I Get Home James Tenney Changes: 64 Studies for 6 Harps Dwight Trible Mothership Honourable mention: Marvin Gaye You’re the Man
5 Questions to Bushra El-Turk
My interview for I Care If You Listen.
Best of 2018
Brandon Coleman Resistance Tigran Hamasyan For Gyumri Zaki Ibrahim The Secret Life of Planets The Internet Hive Mind JACK Quartet Everything That Rises (John Luther Adams) Kuniko Drumming (Steve Reich) Kukuruz Quartet Julius Eastman Piano Interpretations Kendrick Lamar/Various Artists Black Panther: The Album Kelly Moran Ultraviolet Georgia Anne Muldrow Overload Steve Reich/International Contemporary Ensemble/Colin Currie Group Pulse/Quartet Esperanza Spalding… Continue reading Best of 2018
5 Questions to Alan Pierson (Artistic Director, Alarm Will Sound)
My interview for I Care if You Listen.
1997+20: WhISH
Below are excerpts from the thirty-minute score for WhISH, an interdisciplinary fairy tale performed by Liminal Gryphon Theatre (director Derek Mohamed, choreographer Tracy Renee Stafford). WhISH premiered in February 1997 as part of the Rhubarb! Festival at Buddies in Bad Times in Toronto. The score was also released on cassette. WhISH was an image and… Continue reading 1997+20: WhISH
1996+20: Coupling
“Coupling” (1996) is a section from the score to Woo: Cases of Bloodletting and Natural Selection, a multimedia work by Liminal Zoo Theatre (Derek Mohamed and Tracy Renee Stafford, co-creators). It was heard as a live mix and provided the accompaniment to silent onstage action as well as prerecorded spoken word passages. It is a drone… Continue reading 1996+20: Coupling
Like It’s 1994/95: Uhuru
A recurring introspective retrospective of my music as it sounded twenty years earlier. In early 1994, I took my first trip to Europe, spending a week in Lyon where my music was heard at a university dance festival as well as in the subway for a pop up freestyle contemporary dance event. I spent the… Continue reading Like It’s 1994/95: Uhuru