Two alto kalimbas play identical melodic loops, with the second kalimba echoing several beats behind the first, to create a composite musical line. Minimalism in miniature.
Composed January 1999
Recorded September 2004, in an empty bathtub
Photo: my kalimba, 2012
Music and composers’s notes copyright Bruce A. Russell 2019
limina, for two pianos and percussion (1996), was created as an exploratory diversion between larger projects. The title, “threshold,” could suggest a point of transition or place between categories, although in retrospect the style and sound of the piece are clear. It is in the same extended musical family as Two Dances for Two Pianos, urfunk etude, Madra and Word from Earth. It ends on the same chord as it began, transposed down a semitone.
Composed and recorded August 1996, Korg 01/WFD
Remixed May 2017
Music and composer’s notes copyright Bruce A. Russell 2017
Some great new discoveries and otherwise the usual company in abundance.
John Adams Absolute Jest · Grand Pianola Music San Francisco Symphony · Michael Tilson Thomas · John Adams (SFS Media)
Bang on a Can All Stars Field Recordings (Cantaloupe)
eighth blackbird Filament (Cedille)
Mahan Esfahani Time Present and Time Past (Archiv)
Morton Feldman · Erik Satie · John Cage Rothko Chapel [Gnossiennes, In a Landscape, etc.] Kim Kashkashian · Sarah Rothenberg · Steven Schick · Houston Chamber Choir · Robert Simpson (ECM)
Floating Points Elaenia (Luaka Bop/Pluto)
Kendrick Lamar To Pimp a Butterfly (Top Dawg · Aftermath · Interscope)
Steve Martland Band Martland (NMC)
Steve Reich Music for 18 Musicians Ensemble Signal · Third Coast Percussion · Brad Lubman (Harmonia Mundi)
Max Richter Sleep (Deutsche Grammophon)
Linda Catlin Smith Thought and Desire Eve Egoyan (Earwitness Editions)
Stephen Sondheim Liaisons: Re-Imagining Sondheim from the Piano Anthony de Mare (ECM)
Ann Southam Glass Houses for Marimba Taktus (Centrediscs)
Tennyson Like What EP (self-released)
Kamasi Washington The Epic (Brainfeeder)
John Williams Star Wars: The Force Awakens Gustavo Dudamel · William Ross · John Williams (Walt Disney)
reissues · remasters
Bernard Herrmann Obsession Special Archival Edition (Music Box)
The Spinners Spinners (BBR)
John Williams A.I. Artificial Intelligence Expanded Archival Collection (La-La Land)
John Williams Jaws and Jaws 2 (Intrada)
John Williams, Herman Stein, Hans J. Salter, Joseph Mullendore, Alexander Courage, Cyril J. Mockridge, Gerald Fried, Leith Stevens, Robert Drasnin, Fred Steiner and others Lost in Space 50th Anniversary Soundtrack Collection (La-La Land)
A recurring introspective retrospective of my music as it sounded twenty years earlier. In early 1994, I took my first trip to Europe, spending a week in Lyon where my music was heard at a university dance festival as well as in the subway for a pop up freestyle contemporary dance event. I spent the latter part of the year working on the indie cassette release Uhuru, which would come out the following spring, and playing keyboards and percussion in a post-punk band. In early 1995, another dance score was heard in London. In late 1995, I began graduate studies at York University, returning nine years after I had first arrived as an undergraduate.
Throughout this period, I continued to hold down a full time retail job selling classical and jazz CDs in Yorkville, as well as freelancing as a composer for dance and theatre. I also got my first taste of hosting college radio. It was my most active period being involved in music in general.
November 1994 rec. February 1995. 8 voices (2 per part), 8 track reel-to-reel. Begins with a row on the seven pitches of the diatonic scale. The pronunciation of uhuru was conflated with “yoo hoo” although I now prefer the proper initial “u” sound. This is life before autotune, for better or worse. Photo: handwritten score excerpt, 1995
Music and composer’s notes copyright Bruce A. Russell 2014