1996+21: limina

limina, for two pianos and percussion (1996), was composed as an exploratory diversion between larger projects. The title, “thresholds,” is meant to suggest points of transition or spaces between categories. There are two sections; the longer and more eventful first is in duple metre and features a pop-like, four-chord progression in A major. The second… Continue reading 1996+21: limina

Best of 2015

Some great new discoveries and otherwise the usual company in abundance. John Adams Absolute Jest · Grand Pianola Music San Francisco Symphony · Michael Tilson Thomas · John Adams (SFS Media) Bang on a Can All Stars Field Recordings (Cantaloupe) eighth blackbird Filament (Cedille) Mahan Esfahani Time Present and Time Past (Archiv) Morton Feldman ·… Continue reading Best of 2015

Like It’s 1994/95: Uhuru

A recurring introspective retrospective of my music as it sounded twenty years earlier. In early 1994, I took my first trip to Europe, spending a week in Lyon where my music was heard at a university dance festival as well as in the subway for a pop up freestyle contemporary dance event. I spent the… Continue reading Like It’s 1994/95: Uhuru