A little over a week after they gave the live world premiere of Kalimba Canon (1999), Prism Percussion have released a one-take performance video of the piece, recorded earlier in the fall. The performance and acoustics are stunning; the imagery speaks for itself in the moment we’re in.
Category: Compositions
Kalimba Canon Live
On Friday, October 30th, 2020, Prism Percussion will give the live concert premiere of my Kalimba Canon (1999), in a concert hosted by the Golden Gate Symphony Orchestra and Chorus. The program of percussion duets also includes music by Adrea Venet, Eric Cha-Beach, Alexandra Gardner and Molly Joyce. It can be streamed via this link… Continue reading Kalimba Canon Live
90/30: Eccentricities
Eccentricities is a six-song, self-released cassette EP which emerged in the fall of 1990. I recall having 100 copies made and being satisfied with that level of dispersion; it was all I could afford in any case. In honour of the 30th anniversary, I present two of the songs here (with a third linked below).… Continue reading 90/30: Eccentricities
Emergence: Linea Nigra in Concert
My octet for strings Linea Nigra (2015) will receive its world premiere this Saturday, October 3rd at 7:30 pm MDT, in the release of a prerecorded performance by the San Juan Symphony, conducted by music director Thomas Heuser. It will feature as part of a program entitled “Black Voices and A Ballet for Martha,” which… Continue reading Emergence: Linea Nigra in Concert
Kalimba Canon premiere
On July 17, 2020, Second Note Duo (Gabriel Costache and Will Richards) gave the world premiere of Kalimba Canon (1999). It was the final composition presented in their socially distanced, video recital A Day in the Life. Second Note contacted me a little over a month prior to the release date, and things came together… Continue reading Kalimba Canon premiere
76
76, for piano (2019), is dedicated to Ashil Mistry. The opening melody comprises three pitches, and is designed so that these pitches rotate with each repetition of the rhythmic pattern. An ascending bassline and four-note chords harmonize the upper pitches, now moving in parallel thirds and fourths. The bassline is then inverted and thus descends,… Continue reading 76
Companion
Companion, for two pianos, was composed through late 2018 and early 2019, while the first notehead pencil sketches date to 2011. It is dedicated to my two youngest children. All of the material derives from seven-note rows: orderings of the pitches of the diatonic scale. The harmony resembles traditional tonality heard through a pandiatonic filter.… Continue reading Companion
aix
aix (“waters”), for two pianos, is a short study in rising and falling patterns, with alternating chordal and canonic textures. The primary melodic shape, an ascending seventh followed by a descending second, is heard in several of my piano pieces of this period. Composed and recorded 2004, Korg 01/WFDRestored from playback on the original device,… Continue reading aix
1994+25: Exoplanet
“Exoplanet” (1994) was commissioned by choreographer Dave Wilson for the student dance ensemble at McMaster University. Musically, it is a kind of postlude to the score for the dance suite “Land of the Living,” which I composed for a festival performance in Lyon several weeks before. I had intended to release both scores as part… Continue reading 1994+25: Exoplanet
1996+21: limina
limina, for two pianos and percussion (1996), was composed as an exploratory diversion between larger projects. The title, “thresholds,” is meant to suggest points of transition or spaces between categories. There are two sections; the longer and more eventful first is in duple metre and features a pop-like, four-chord progression in A major. The second… Continue reading 1996+21: limina
