1994+25: Exoplanet

“Exoplanet” (1994) was commissioned by choreographer Dave Wilson for the student dance ensemble at McMaster University. Musically, it is a kind of postlude to the score for the dance suite “Land of the Living,” which I composed for a festival performance in Lyon several weeks before. I had intended to release both scores as part… Continue reading 1994+25: Exoplanet

1996+21: limina

limina, for two pianos and percussion (1996), was composed as an exploratory diversion between larger projects. The title, “thresholds,” is meant to suggest points of transition or spaces between categories. There are two sections; the longer and more eventful first is in duple metre and features a pop-like, four-chord progression in A major. The second… Continue reading 1996+21: limina

1997+20: WhISH

Below are excerpts from the thirty-minute score for WhISH, an interdisciplinary fairy tale performed by Liminal Gryphon Theatre (director Derek Mohamed, choreographer Tracy Renee Stafford). WhISH premiered in February 1997 as part of the Rhubarb! Festival at Buddies in Bad Times in Toronto. The score was also released on cassette. WhISH was an image and… Continue reading 1997+20: WhISH

1996+20: Coupling

“Coupling” (1996) is a section from the score to Woo: Cases of Bloodletting and Natural Selection, a multimedia work by Liminal Zoo Theatre (Derek Mohamed and Tracy Renee Stafford, co-creators). It was heard as a live mix and provided the accompaniment to silent onstage action as well as prerecorded spoken word passages. It is a drone… Continue reading 1996+20: Coupling

Children’s Suite

Children’s Suite comprises a trio of three-movement works for piano I composed for my children Remi, Kenza and Tijani in the respective years of their birth. All nine movements are written in diatonic C major/A minor. The cycle opens and closes with fast movements, otherwise the music is slow to moderate. Forms and structures are… Continue reading Children’s Suite

Tijani, for piano: Young Afro Future

This is the last movement from my piano work Tijani, and the closing part in a cycle of three, three-movement works for piano I’ve composed for my children (which include Remi and Kenza). All nine movements are written in diatonic C major/A minor. Like the opening movement of the cycle, “Oh Seven,” this is a fast piece. The title… Continue reading Tijani, for piano: Young Afro Future

Like It’s 1994/95: Uhuru

A recurring introspective retrospective of my music as it sounded twenty years earlier. In early 1994, I took my first trip to Europe, spending a week in Lyon where my music was heard at a university dance festival as well as in the subway for a pop up freestyle contemporary dance event. I spent the… Continue reading Like It’s 1994/95: Uhuru