limina, for two pianos and percussion (1996), was composed as an exploratory diversion between larger projects. The title, “thresholds,” is meant to suggest points of transition or spaces between categories. There are two sections; the longer and more eventful first is in duple metre and features a pop-like, four-chord progression in A major. The second… Continue reading 1996+21: limina
Category: Compositions
1997+20: WhISH
Below are excerpts from the thirty-minute score for WhISH, an interdisciplinary fairy tale performed by Liminal Gryphon Theatre (director Derek Mohamed, choreographer Tracy Renee Stafford). WhISH premiered in February 1997 as part of the Rhubarb! Festival at Buddies in Bad Times in Toronto. The score was also released on cassette. WhISH was an image and… Continue reading 1997+20: WhISH
1996+20: Coupling
“Coupling” (1996) is a section from the score to Woo: Cases of Bloodletting and Natural Selection, a multimedia work by Liminal Zoo Theatre (Derek Mohamed and Tracy Renee Stafford, co-creators). It was heard as a live mix and provided the accompaniment to silent onstage action as well as prerecorded spoken word passages. It is a drone… Continue reading 1996+20: Coupling
Linea Nigra, for string octet
Linea Nigra (2015) began as an orchestration of my piano piece Canon Chorale (2005). It is scored for string octet, in this case the same configuration as a double string quartet. Most of the structure and content of the earlier work are retained as a kind of continuo, to which newly devised material adds range… Continue reading Linea Nigra, for string octet
Children’s Suite
Children’s Suite comprises a trio of three-movement works for piano I composed for my children Remi, Kenza and Tijani in the respective years of their birth. All nine movements are written in diatonic C major/A minor. The cycle opens and closes with fast movements, otherwise the music is slow to moderate. Forms and structures are… Continue reading Children’s Suite
Tijani, for piano: Young Afro Future
This is the last movement from my piano work Tijani, and the closing part in a cycle of three, three-movement works for piano I’ve composed for my children (which include Remi and Kenza). All nine movements are written in diatonic C major/A minor. Like the opening movement of the cycle, “Oh Seven,” this is a fast piece. The title… Continue reading Tijani, for piano: Young Afro Future
Tijani, for piano
Today marks one year on earth for my youngest, our son Tijani. In the year of his birth I wrote a three-movement work for piano. The second and third movements are presented here. As with the pieces written for Tijani’s older sisters Remi and Kenza, the music here is diatonic, in the key of C… Continue reading Tijani, for piano
Like It’s 1994/95: Uhuru
A recurring introspective retrospective of my music as it sounded twenty years earlier. In early 1994, I took my first trip to Europe, spending a week in Lyon where my music was heard at a university dance festival as well as in the subway for a pop up freestyle contemporary dance event. I spent the… Continue reading Like It’s 1994/95: Uhuru
Kenza, for piano
Today is the second birthday of my second child Kenza, firstborn to my wife Nehal El-Hadi. Just before her birth, I wrote a short three-movement work for piano dedicated to her. I have posted the first movement here. Like the work written for her older sister Remi, the music here is diatonic, in the key… Continue reading Kenza, for piano
Remi, for Piano
Today marks the seventh birthday of my older child, Aderemi. In the year of her birth I wrote a three-movement work for piano which takes the short form of her name as its title. The music is diatonic, in the key of C major/A minor throughout. It has a childlike quality to it and is… Continue reading Remi, for Piano
EL MAHBOOB 