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Memoir Performers Toronto

Come Through

I created a playlist a couple of years ago, to collect a series of 70s and 80s re-edits emailed to me in draft form for my feedback. One of the tracks arrived by way of reply to an email I’d sent with a gift of remastered music files, the source material for the re-edit. This was how it was with me and Masimba Kadzirange, Grandmaster DJ Son Of S.O.U.L., Source of Undying Love. For me it was an acknowledgement: among circles which intersected and didn’t in our brief friendship, we had this. A man of extraordinary musical gifts, recollection, insight, technique and experience, he included me among those trusted folks from whom he sought an opinion and whose musical values were understood and shared. I’m honoured by that fact.
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It’s been one month since he left us suddenly. I’m grateful to have shared in the wonderful human being he was, while part of me remembers not taking up his invitation to “come through one time” to a recent series of club nights he was putting on only a ten-minute walk from my home. I was too tired from my job or busy tending to the bedtimes and wakeups of our small children. Every time I did get to hear him spin and cut — always with turntables, music on vinyl and no software — I was astounded by his musicality and brought to my feet to dance and sing along.

Masimba made a tremendous impact in his community. He was loved. He will be missed in person, though his memory will continue to be celebrated by those who knew him, and through the music that was a central part of his own celebration of life.

“Pardon the delayed response my brother. You all will see me soon.”

By elmahboob

Bruce A. Russell aka Ibrahim El Mahboob (b. Kingston, ON, 1968) is a composer and self-taught pianist living and working in Toronto (Tkarón:to, the traditional territory of many nations including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat). He studied at York University with James Tenney and Phillip Werren. He has composed music for the Madawaska String Quartet, Modern Times Stage Company, McMaster Dancers and choreographers Pam Johnson and Tracy Renee Stafford. Interest in his work increased in 2020, with performances by Arraymusic, Prism Percussion, Second Note Duo, San Juan Symphony and Idaho Falls Symphony. He was host of Radio Music Gallery, and has written for Musicworks and I Care if You Listen. His interests are in 20th and 21st century concert music especially postminimalism, and music of the African diaspora including notated and non-notated forms. He is a parent of three and is employed in the financial sector.

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